《痴心女子负心郎》讲述什么样的故事？
Novelist Joseph Shearing specialized in using real cases which took place in Victorian England, altering them for fictional purposes. MOSS ROSE in 1947 was the first film to be made from his novels, then in 1948 two of his works were adapted for the screen, this film and THE MARK OF CAIN. The movie stars Todd as a recently widowed missionary returning to her home in England from Jamaica. During the voyage, she meets Milland, a charming though dangerous rascal who is wanted by police in connection with some unsavory dealings. Milland contracts malaria while onboard the ship and Todd nurses him back to health. In London, Todd settles into her home, taking in boarders to make ends meet. Milland arrives, moves in, and proclaims his love for her. Todd is thrilled, but it seems rather obvious that Milland is only toying with her. Milland finds some letters written to her by her friend, Fitzgerald, in which Fitzgerald reveals some of her sexual indiscretions. Since Fitzgerald is now married to the wealthy Huntley, Milland believes he can use the letters to blackmail Fitzgerald. Todd's love for Milland is so great that she goes along with the plan. Huntley, however, learns of the scheme and also uncovers details of Milland's shady past. Fearing for her lover's safety, Todd poisons Huntley, then remains silent when Fitzgerald is arrested for the murder. Milland has by now genuinely fallen in love with Todd and the two make plans to leave England. Before they can depart, one of Milland's former lovers shows up and Todd, in a jealous rage, kills Milland, then turns herself into the police. This is an intriguing film, although a little on the talky side. The performances are excellent throughout, with Milland shining as the cad, the type of role in which he excelled. Though he spent most of his time making films in the US, he occasionally returned to his native England for a production and this was his first British film since FRENCH WITHOUT TEARS in 1939. Director Allen was also an Englishman who chose to work in the US, this being his first directorial effort in his homeland. This was the fourth and last time Milland and Allen would work together, their pairing having begun in 1944 with the wonderfully eerie THE UNINVITED.
1、《痴心女子负心郎》是在哪一年上映的？
《痴心女子负心郎》是刘易斯·艾伦于1948年拍摄上映的一部经典剧情片。此片开创了美国当代剧情片的先河，《痴心女子负心郎》上映时票房稳坐国内外前三，创下当年最佳纪录。在当时雷·米兰德,安·托德,杰拉丁·菲茨杰拉德均为最佳演员，雷·米兰德,安·托德,杰拉丁·菲茨杰拉德以精彩演技和完美的形象，奠定在美国影视地位。雷·米兰德,安·托德,杰拉丁·菲茨杰拉德饰演角色多年后仍为大众争相模仿。刘易斯·艾伦之前曾被人怀疑其能力，而《痴心女子负心郎》却奠定刘易斯·艾伦剧情片风格。《痴心女子负心郎》首映时曾获海外剧情片和媒体广泛好评，被认为其优秀程度，是足以与同时期（指1980年代）好莱坞（好莱坞）优秀剧情片齐名。
2、被称为剧情片的开先河之作的《痴心女子负心郎》，是刘易斯·艾伦最好的作品吗?
从刘易斯·艾伦斩获剧情片最佳导演 我就觉得这部《痴心女子负心郎》是他最好的剧情片。虽然刘易斯·艾伦后来还拍出来了评价特别好的剧情片，但是《痴心女子负心郎》是他剧情片的代表作品。
3、《痴心女子负心郎》为什么能成为经典之作？
提起美国剧情片，人们就肯定会说出《痴心女子负心郎》的名字。这部由刘易斯·艾伦导演，雷·米兰德,安·托德,杰拉丁·菲茨杰拉德主演的《痴心女子负心郎》，在当时，真的是成为了一匹黑马，杀出了一条血路，创造了一个奇迹。为何会这么说，我想，就连刘易斯·艾伦导演和雷·米兰德,安·托德,杰拉丁·菲茨杰拉德，都没想到这部剧情片会得到这样好的反响。刘易斯·艾伦先生曾说过，这是一群失意的人凑到了一起创作出来的一部作品。因为在《痴心女子负心郎》开拍之前，雷·米兰德,安·托德,杰拉丁·菲茨杰拉德已经有4年无戏可拍，而雷·米兰德,安·托德,杰拉丁·菲茨杰拉德主演的剧情片，票房始终不理想，这样的几个人凑在了一起，也真是缘分！所以，正是这样的失意感和强烈的自尊心，他们在剧情片中投入的热情，是我们难以想象的，其实《痴心女子负心郎》中的人物心理历程和感人的剧情，何尝不是现实中他们的真实写照呢？所以，他们怀着一腔心有不甘的英雄气，用他们的实力和人情成就了这部经典剧情片，也成就了他们自己！
4、如何评价《痴心女子负心郎》?
《痴心女子负心郎》口碑非常好深受广大观众喜爱，《痴心女子负心郎》一经播放立刻引来无数人关注，不仅雷·米兰德,安·托德,杰拉丁·菲茨杰拉德演的好而且该剧情片故事情节也非常紧凑，神马影院（www.slkygs.com）观看起来特别流畅同时还能扣人心弦，即使目前《痴心女子负心郎》收视率不佳但是该片目前受欢迎程度已经蒸蒸日上。该剧情片主演雷·米兰德,安·托德,杰拉丁·菲茨杰拉德，她在该剧情片中的演技可圈可点，受到雷·米兰德,安·托德,杰拉丁·菲茨杰拉德演的好而且该剧情片迷的认可。
5、《痴心女子负心郎》剧情片的主要内容
《痴心女子负心郎》是一部剧情片剧情片，由导演：刘易斯·艾伦执导，主演：雷·米兰德,安·托德,杰拉丁·菲茨杰拉德，
Novelist Joseph Shearing specialized in using real cases which took place in Victorian England, altering them for fictional purposes. MOSS ROSE in 1947 was the first film to be made from his novels, then in 1948 two of his works were adapted for the screen, this film and THE MARK OF CAIN. The movie stars Todd as a recently widowed missionary returning to her home in England from Jamaica. During the voyage, she meets Milland, a charming though dangerous rascal who is wanted by police in connection with some unsavory dealings. Milland contracts malaria while onboard the ship and Todd nurses him back to health. In London, Todd settles into her home, taking in boarders to make ends meet. Milland arrives, moves in, and proclaims his love for her. Todd is thrilled, but it seems rather obvious that Milland is only toying with her. Milland finds some letters written to her by her friend, Fitzgerald, in which Fitzgerald reveals some of her sexual indiscretions. Since Fitzgerald is now married to the wealthy Huntley, Milland believes he can use the letters to blackmail Fitzgerald. Todd's love for Milland is so great that she goes along with the plan. Huntley, however, learns of the scheme and also uncovers details of Milland's shady past. Fearing for her lover's safety, Todd poisons Huntley, then remains silent when Fitzgerald is arrested for the murder. Milland has by now genuinely fallen in love with Todd and the two make plans to leave England. Before they can depart, one of Milland's former lovers shows up and Todd, in a jealous rage, kills Milland, then turns herself into the police. This is an intriguing film, although a little on the talky side. The performances are excellent throughout, with Milland shining as the cad, the type of role in which he excelled. Though he spent most of his time making films in the US, he occasionally returned to his native England for a production and this was his first British film since FRENCH WITHOUT TEARS in 1939. Director Allen was also an Englishman who chose to work in the US, this being his first directorial effort in his homeland. This was the fourth and last time Milland and Allen would work together, their pairing having begun in 1944 with the wonderfully eerie THE UNINVITED.
6、《痴心女子负心郎》是刘易斯·艾伦导演的一部经典的剧情美国片大全，该剧讲述了：Novelist Joseph Shearing specialized in using real cases which took place in Victorian England, alte，想看更多的相关影视作品，请收藏我们的网站：www.slkygs.com
Novelist Joseph Shearing specialized in using real cases which took place in Victorian England, altering them for fictional purposes. MOSS ROSE in 1947 was the first film to be made from his novels, then in 1948 two of his works were adapted for the screen, this film and THE MARK OF CAIN. The movie stars Todd as a recently widowed missionary returning to her home in England from Jamaica. During the voyage, she meets Milland, a charming though dangerous rascal who is wanted by police in connection with some unsavory dealings. Milland contracts malaria while onboard the ship and Todd nurses him back to health. In London, Todd settles into her home, taking in boarders to make ends meet. Milland arrives, moves in, and proclaims his love for her. Todd is thrilled, but it seems rather obvious that Milland is only toying with her. Milland finds some letters written to her by her friend, Fitzgerald, in which Fitzgerald reveals some of her sexual indiscretions. Since Fitzgerald is now married to the wealthy Huntley, Milland believes he can use the letters to blackmail Fitzgerald. Todd's love for Milland is so great that she goes along with the plan. Huntley, however, learns of the scheme and also uncovers details of Milland's shady past. Fearing for her lover's safety, Todd poisons Huntley, then remains silent when Fitzgerald is arrested for the murder. Milland has by now genuinely fallen in love with Todd and the two make plans to leave England. Before they can depart, one of Milland's former lovers shows up and Todd, in a jealous rage, kills Milland, then turns herself into the police. This is an intriguing film, although a little on the talky side. The performances are excellent throughout, with Milland shining as the cad, the type of role in which he excelled. Though he spent most of his time making films in the US, he occasionally returned to his native England for a production and this was his first British film since FRENCH WITHOUT TEARS in 1939. Director Allen was also an Englishman who chose to work in the US, this being his first directorial effort in his homeland. This was the fourth and last time Milland and Allen would work together, their pairing having begun in 1944 with the wonderfully eerie THE UNINVITED.
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